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Newton's Cannon (book 1 of The Age Of
Unreason) by Greg Keyes
pub: TOR. 368 page paperback. Price: £ 6.99 (UK).
ISBN: 1-330-41997-8.
check out website: www.toruk.com
Having appreciated Greg Keyes' latest series, 'Kingdom Of Thorn
And Bone', it's an interesting experience going back in this, the
re-issue of the first of his 1998 'The Age Of Unreason' series.
Probably best described as alternate history for people who don't
think they like alternate history (that would be me, then), it's
something of a breakneck romp through an 18th century that (thankfully)
never was, with huge doses of weird science, alchemic impossibilities
and enough double-dealing, sex and politics to keep most ordinary
historical novels busy for a few hundred pages.
If you can buy the fact that Isaac Newton did a hell of a lot
more than just have a painful interlude with a falling apple, it's
insanely and scarily enjoyable.

Somehow, I never anticipate Keyes being as dark and depressing
as his books frequently can be and it leads to an intriguing tension
between the euphoria of scientific discovery that crops up again
and again and the horrible uses to which certain people want to
put these discoveries to. Newton's discovery, the mythical 'Philosopher's
Mercury', turns out to have a lot more impact then, say, the whole
gravity thing. With the advent of a science that can change the
very matter of something (it gets very Star Trek in that way), this
is a world with 'aetherscreibers' that can talk across oceans and
fabulous weapons that can turn a castle's walls to glass before
shattering them completely.
With a vicious war raging between France and England, it is of
course the weapons that demand attention. The action veers quite
evenly between a young Benjamin Franklin (yes, that Benjamin Franklin!)
wreaking scientific havoc in the backwater of Boston and the brilliant
and beautiful Adrienne de Mornay de Montchevreuil, a courtier of
Louis XIV of France, forced to conceal her mathematical skills amidst
a mire of political intrigue. The fact that both hold separate pieces
of a puzzle that can set in motion the worst weapon of them all
keeps the narrative bound tightly between them.
Ben, very much the child prodigy, apprenticed to a printer and
yet constantly inventing things that really shouldn't exist at all,
is pursued by a mysterious and terrifying creature that may well
not be human. Adrienne, for all her intelligence, catches the eye
of Louis, a king who has become unnaturally immortal. As Adrienne
is drawn deeper into the connivances of Versailles, she must decide
whether to will continue to play the part of a pawn in a game she
does not understand.
For all the playing Keyes gets to do with fabulous scientific
concepts, the characters remain at the heart of everything - Adrienne
especially kept reminding me of an early version of Anne Dare in
'The Briar King' - and enough twisty plots to keep your brain ticking
over. Your knowledge of science, history or famous faces isn't really
being tested - if you know your Ben Franklin, enjoy the homage,
if not, he's just a kid named Ben Franklin. It shouldn't impact
your enjoyment as such considering what else you're being asked
to swallow...
There's a distinct temptation at first to label this as something
lightweight - it's slightly silly in places but at heart, it's really
far darker and deeper than you would expect. As the plot moves on,
it certainly gets more traumatic (Keyes likes to make his characters
suffer if he possibly can) and complicated. In a world where most
adult genre fiction these days seems to be tarted-up YA fodder with
added sex and death, it's nice to see something that cuts as deep
and is as grown-up as 'Newton's Cannon'.
Its re-issue now is a good opportunity for those who took a liking
to the standard of writing and characterisation in 'The Briar King'
to see Keyes move in a different speculative direction and I think
I can pretty much guarantee it's like nothing you've ever read before.
Jennifer Howell
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