|
The Autumn Castle (The Europa Suite book
1) by Kim Wilkins
pub: Gollancz. 463 page hardback. Price: £17.99 (UK
only). ISBN: 0-575-07573-2.
check out website: www.orionbooks.co.uk
and www.kimwilkins.com
The leaves are starting to turn. Autumn is descending on Berlin.
Christine Starlight lives with her lover Jude in the Hotel Mandy
Z. The hotel is owned by Immanuel Z (a billionaire and sculptor)
who provides fellowships for up and coming artists.
Both Christine and Jude have a good friendship with the other artists
living in the hotel but none of them really like Immanuel or Mandy
Z as he is informally know, hence, the hotel name. He leaves them
to their own artistic pursuits, coming across as being a bit strange
but most thinks he's harmless.

Christine had a rough childhood losing both her famous parents
in a car crash and suffering a back injury which still plagues her
with chronic pain. Jude, through his own beauty and patience, helps
her through the worst times. Christine is reminded of her childhood
through dreams, having lived in Germany as a kid she grew attached
to a nearby neighbour May, a child of her own age.
The two became close and ended up making a packed as 'blood sisters'.
May disappears one night, thought to be kidnapped, possibly murdered
and is never found. The dreams keep coming along with images of
a crow. One day in the kitchen of their apartment, Christine experiences
great pain and passes out. She wakes to find herself in a strange
medieval land whose Queen is Mayfridh is her old childhood friend
May, who is now Queen of the Fairies in a land called Ewigkreis.
She also sees the crow from her dreams and memories and discovers
it's a shapeshifter called Esengrim. He can take on the form of
a wolf, bear or crow.
She wakes and wonders if it was a dream but it seems so 'real'.
The crow appears in the real world in Berlin and later, so does
Mayfridh. Christine hesitantly glad to see her at first agrees to
go back to Ewigkreis as this is the only place that she is free
from pain. The situation complicates when Mayfridh falls for Jude.
Mayfridh also has problems at home with the witch Hexebart who refuses
to give the royal fairy magic to her as Hexebart thinks she is an
impostor. There are bigger problems on the horizon though as Mandy
Z is not quite as he seems.
He is a fairy hunter and is making his ultimate sculpture yet,
out of Fairy bones. Let me first start by saying I enjoyed this
book. I just don't want you getting the wrong idea with what I'm
about to say about it next. OK, this book has a few problems. The
start of the book, first 300 or so pages are slow. Now this you
would have thought would have aided character development, but unfortunately
this didn't happen. The characters feel a bit one dimensional and
always react quite how you would expect.
The dialogue at times also feels stilted and false. It is not until
characters such as both Jude and Christine are put in stressful
situations that Kim Wilkins' really starts to bring them out and
to the fore. Another problem is the plotting just gives away too
many clues as to what is going to happen or what will be revealed
both to the characters and the reader. I had worked out most of
the major revelations before getting to them in the book along with
where the story was going to go.
It not until well into the book that interest is raised as you
see how characters start to deal with situations and information.
Christine, as a character, needed to be brought out and expanded
although a good balance was kept with Mayfridh. Her unfamiliarity
with the real world was well played upon. Jude was a bit of a non-entity
as he just acted as wallpaper and plot element which was a shame,
as development of his character could have been an interesting psychological
exercise in human nature.
I don't want to come across as totally negative about this book.
It was fun and if Kim Wilkins is more careful with giving out information
and concentrates on her characters a bit more the next book could
really shine. The juxtaposition of the real world and the 'fairy
world' was really well done along with Hexebart and Esengrim really
help to drive thing along. This to me falls squarely under urban
mythic fantasy. If you've never come across this style before then
this may be a good place to start.
There is nothing fundamentally wrong with this book, it just that
it pales against books by other urban mythic writers such as Charles
de Lint and Terri Windling. It's got all the usual items, artists/painters,
disturbing/macabre charters and mythic elements - in this case fairies
- but it's just not quite there. The characters aren't 'real' enough
for my liking. I suppose I've been spoilt on de Lint's writing.
One thing I did think was superb was the cover. A good place to
start then on this genie and if your looking for a relatively easy
read then I can think of a lot worser places to look. .
Phil Jones
|